Carnival Row – Season 2 – Digital Domain

From fantastical characters to environments and CG creatures, our award-winning VFX team created visual effects for Carnival Row’s second season in collaboration with Amazon. Our artists built the photorealistic Sparas from the ground up, using a combination of practical effects and digidoubles. The team also created the entire train chase sequence in episode one, going so far as to build an entire CG landscape, complete with geographical markers. They also heavily researched flight and movement to create the fairy wings, then drew and animated them.

Our work can be seen primarily in episodes one, two, four and five.

The Last of Us – Season 1 – Digital Domain

For Episode 4 of The Last of Us, Digital Domain Visual Effects Supervisor Mitch Drain and his team were tasked with creating the environment for the post-apocalyptic city. The team added overgrowth, decay and debris along with abandoned cars, FedEx trucks, and military vehicles, and more to truly set the scene.

For the season finale, The VFX team wrapped up its work creating a backdrop of CG environments, as Joel and Ellie drive pass a digitally created sign that reads “Welcome to Wyoming,” signifying the end and beginning of their journey.

Lockwood & Co. – Behind The Hauntings

In London, where the most gifted teenage ghost-hunters venture nightly into perilous combat with deadly spirits, amidst the many corporate, adult-run agencies, one stands alone: independent of any commercial imperative or adult supervision – a tiny startup, run by two teenage boys and a newly arrived, supremely psychically gifted girl, a renegade trio destined to unravel a mystery that will change the course of history: Lockwood & Co.

Andor – Hybride

The series explores a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. It’s an era filled with danger, deception and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero.

Hybride produced a total of 714 shots for 67 sequences of the show which premiered on Disney+ on September 21, 2022. The series received critical acclaim, in particular for its writing and the darker, more mature tone compared to previous Star Wars projects.

We’re proud to present a VFX breakdown of our work for the series, we hope you enjoy!

Umbrella Academy – Season 3 – Spin VFX

After earning an Emmy nomination for ‘Special Visual Effects’ on season 1, SPINVFX returned to The Umbrella Academy for season 3, with Carrie Richardson and Jeff Campbell reprising their roles as Supervising VFX Producer and Visual Effects Supervisor, respectively. In the 500 shots, we did for the show, everyone from artists, producers, and scanning crew, gave their talents, time, and commitment to flawlessly bring complex environments, creatures, and superpowers to life.

The Orville – Season 3 – FuseFX

THIS IS UNREAL! The FuseFX team utilized Unreal Engine for episode 308 of ‘The Orville.’ The sequences are beautiful and allowed for the team to be more nimble, move together as one, save production time and produce stellar results. We’re just scratching the surface of our Unreal capabilities for our clients. #FuseFX #UnrealEngine #TheOrville #VFX #EpicGames http://www.fusefx.com

Obi-Wan Kenobi – Hybride

In the Obi-Wan Kenobi limited series, which premiered on Disney+ May 27, 2022, storytellers explore a previously unseen era in the character’s life – nearly 10 years after the fall of the Jedi with Order 66 but still almost a decade from meeting his fate aboard the Death Star.

Hybride delivered 440 VFX shots for the show, which drew the biggest premiere for any program set in the Star Wars universe, according to data gathered by Samba TV.

Here’s a behind-the-scenes look at Hybride’s work for the series, we hope you enjoy!

Copenhagen Cowboy – Sneak Peek

Copenhagen Cowboy is a thrill-inducing, neon-drenched noir series set across six episodes which follows enigmatic young heroine, Miu. After a lifetime of servitude and on the verge of a new beginning, she traverses the ominous landscape of Copenhagen’s criminal netherworld. Searching for justice and enacting vengeance, she encounters her nemesis, Rakel, as they embark on an odyssey through the natural and the supernatural. The past ultimately transforms and defines their future, as the two women discover they are not alone, they are many.

The Mandalorian – Season 3 – Official Teaser Trailer

The Mandalorian and Grogu face enemies and rally allies as they make their way through a dangerous galaxy in the tumultuous era after the collapse of the Galactic Empire.  Season 3 of The Mandalorian is set to launch exclusively on Disney+ in February 2023 and is executive produced by Jon Favreau, Dave Filoni, Rick Famuyiwa, Kathleen Kennedy, and Colin Wilson. The returning cast includes Pedro Pascal, Giancarlo Esposito, Carl Weathers, Amy Sedaris, Paul Sun-Hyung Lee, Omid Abtahi, and Katee Sackhoff as Bo-Katan.

HALO – Season 1 – Rodeo FX

Halo was a challenge on several levels for the team: it was our first collaboration between Rodeo and Paramount+; taking on a highly anticipated video game adaptation that many fans had been asking for; and finally, we were tasked with creating environments that were going to surround the characters throughout the entire season, and beyond. The stakes were high, and the final results speak for themselves.

We started the adventure nearly 3 years ago with different tests right before the pandemic hit. As production resumed, our team went back to it and started the meticulous work of adapting a gigantic base of concept art references. While some locations were taken straight from the game, some were altered to better reflect the show’s vision.

From Reach City to Oban (Garbage City), Eridanus to Madrigal Outpost, join us on a deep journey through space as we look at the work done on season one of Halo.

Stranger Things – Season 4 – DNEG

Take a trip into the upside down with us to learn more about our work on Netflix’s Stranger Things Season 4!

Enjoy this peek behind-the-scenes of the creative process behind the epic Vecna bat battle sequence. From the initial inspiration to seamlessly stitching together the final scene, DNEG’s Neil Eskuri (VFX Supervisor), Anita Borcsok (Environment Supervisor), S Rajuganesh (CG Supervisor) and Carlos Rosas (Animation Supervisor) have all the details.

Perry Mason – Digital Domain

Led by VFX Supervisor Mitchell S. Drain, Digital Domain was proud to produce some incredible work on “Perry Mason” for HBO. The work included a recreation of the original Angels Flight area in Los Angeles. The VFX team researched the look of the city as it was in 1930 and compared it to the modern urban layout it is now, then worked to integrate the two as seamlessly as possible. New techniques brought all designs back to life, from the buildings to the streets to the iconic Angels Flight cable-car, a once iconic vertical trolley that last operated in 1969.

Resident Evil – MPC

MPC delivered spine-tingling visual effects to the 8-episode dramatic sci-fi series Resident Evil. Closely collaborating with Netflix and director Andrew Dabb, MPC’s team of VFX artists built around 210 shots ranging from simple muzzle flashes to complex digital environments and CG vehicles.

Wednesday Addams – Netflix

Watch the official teaser for WEDNESDAY, an upcoming Netflix series from the imagination of Tim Burton. WEDNESDAY — starring Jenna Ortega in the title role, alongside Catherine Zeta-Jones, Luis Guzman, Gwendoline Christie, Christina Ricci and more — is a sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Snap snap.

Halo – MPC

MPC helped bring the much-loved Halo video game to life for fans and new audiences across world, via Paramount+’s new TV series adaptation, which was released on 24th March 2022. Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series weaves personal stories with a large dose of action, adventure, and a richly imagined vision of the future.

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