Wednesday – MPC

Brought to us by MGM Television and Netflix, we experienced mayhem, mystery and murder in Tim Burton’s Wednesday. With the help of our MPC team’s eerily “Frankenstein-esque” VFX, this supernaturally-infused series spotlights the sleuthing daughter from the iconic Addams family.

The Last of Us – Season 1 – Digital Domain

For Episode 4 of The Last of Us, Digital Domain Visual Effects Supervisor Mitch Drain and his team were tasked with creating the environment for the post-apocalyptic city. The team added overgrowth, decay and debris along with abandoned cars, FedEx trucks, and military vehicles, and more to truly set the scene.

For the season finale, The VFX team wrapped up its work creating a backdrop of CG environments, as Joel and Ellie drive pass a digitally created sign that reads “Welcome to Wyoming,” signifying the end and beginning of their journey.

STILL – A Michael J. Fox Movie – Trailer

The film, which will incorporate documentary, archival and scripted elements, will recount Fox’s extraordinary story in his own words — the improbable tale of an undersized kid from a Canadian army base who rose to the heights of stardom in 1980s Hollywood. The account of Fox’s public life, full of nostalgic thrills and cinematic gloss, will unspool alongside his never-before-seen private journey, including the years that followed his diagnosis, at 29, with Parkinson’s disease. Intimate and honest, and produced with unprecedented access to Fox and his family, the film will chronicle Fox’s personal and professional triumphs and travails and will explore what happens when an incurable optimist confronts an incurable disease. With a mix of adventure and romance, comedy and drama, watching the film will feel like … well, like a Michael J. Fox movie.

Lockwood & Co. – Behind The Hauntings

In London, where the most gifted teenage ghost-hunters venture nightly into perilous combat with deadly spirits, amidst the many corporate, adult-run agencies, one stands alone: independent of any commercial imperative or adult supervision – a tiny startup, run by two teenage boys and a newly arrived, supremely psychically gifted girl, a renegade trio destined to unravel a mystery that will change the course of history: Lockwood & Co.

Andor – Hybride

The series explores a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. It’s an era filled with danger, deception and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero.

Hybride produced a total of 714 shots for 67 sequences of the show which premiered on Disney+ on September 21, 2022. The series received critical acclaim, in particular for its writing and the darker, more mature tone compared to previous Star Wars projects.

We’re proud to present a VFX breakdown of our work for the series, we hope you enjoy!

She-Hulk – Attorney at Law – Digital Domain

To realize 43 minutes of screen time for Marvel Studios’ latest superhero, She-Hulk, Digital Domain VFX Supervisor Jan Philip Cramer and his outstanding team of artists sought inspiration in the technology used to create everyone’s favorite villain, Thanos. Building on that same technology, the Digital Domain team successfully transformed the 5’4” Tatiana Maslany into a 6’7” green giant, without sacrificing the nuance of the Emmy-winner’s performance.

In addition to utilizing the studios proprietary tools, Masquerade 2.0 and Charlatan, to bring She-Hulk to life, DD also worked on several other visual effects sequences throughout the series while introducing new systems. The team developed a ShapeWear system that allowed the superhero’s attire to accurately adjust to the character model, while subtly and realistically augmenting the muscles to match. This can be seen throughout the series and most notably in the dance scene with Megan the Stallion.

The team also created CG droid K.E.V.I.N., which was meant as an homage to Marvel Studios mastermind, Kevin Feige, and much more! In total, Digital Domain contributed nearly 1,000 VFX shots to She-Hulk: Attorney at Law, including 660 shots of She-Hulk alone

Obi-Wan Kenobi – Hybride

In the Obi-Wan Kenobi limited series, which premiered on Disney+ May 27, 2022, storytellers explore a previously unseen era in the character’s life – nearly 10 years after the fall of the Jedi with Order 66 but still almost a decade from meeting his fate aboard the Death Star.

Hybride delivered 440 VFX shots for the show, which drew the biggest premiere for any program set in the Star Wars universe, according to data gathered by Samba TV.

Here’s a behind-the-scenes look at Hybride’s work for the series, we hope you enjoy!

HALO – Season 1 – Rodeo FX

Halo was a challenge on several levels for the team: it was our first collaboration between Rodeo and Paramount+; taking on a highly anticipated video game adaptation that many fans had been asking for; and finally, we were tasked with creating environments that were going to surround the characters throughout the entire season, and beyond. The stakes were high, and the final results speak for themselves.

We started the adventure nearly 3 years ago with different tests right before the pandemic hit. As production resumed, our team went back to it and started the meticulous work of adapting a gigantic base of concept art references. While some locations were taken straight from the game, some were altered to better reflect the show’s vision.

From Reach City to Oban (Garbage City), Eridanus to Madrigal Outpost, join us on a deep journey through space as we look at the work done on season one of Halo.

The Sandman – One of Us

After 32 years confined to the world of the comic book, this year sees The Sandman brought to Netflix screens by visionary author Neil Gaiman and his fellow executive producers Allan Heinberg and David S. Goyer.

Across 240 Visual Effects shots, the One of Us team, made up of almost 100 artists and led by VFX Supervisor James Brennan-Craddock, take the viewer on a supernatural journey into the realm of the Sandman, where dreams, and especially nightmares, come to life.

The Sandman – One of Us

After 32 years confined to the world of the comic book, this year sees The Sandman brought to Netflix screens by visionary author Neil Gaiman and his fellow executive producers Allan Heinberg and David S. Goyer.

When the Sandman, aka Dream — the powerful cosmic being who controls all our dreams — is unexpectedly captured and held prisoner for over a century, he must journey across different worlds and timelines to fix the chaos his absence has caused.

Across 240 Visual Effects shots, the One of Us team — made up of almost 100 artists and led by VFX Supervisor James Brennan-Craddock, VFX Producer Catherine Martin and 2D Supervisor Nathan Remy — take the viewer on a supernatural journey into the realm of the Sandman, where dreams, and especially nightmares, come to life.

Resident Evil – MPC

MPC delivered spine-tingling visual effects to the 8-episode dramatic sci-fi series Resident Evil. Closely collaborating with Netflix and director Andrew Dabb, MPC’s team of VFX artists built around 210 shots ranging from simple muzzle flashes to complex digital environments and CG vehicles.

Wednesday Addams – Netflix

Watch the official teaser for WEDNESDAY, an upcoming Netflix series from the imagination of Tim Burton. WEDNESDAY — starring Jenna Ortega in the title role, alongside Catherine Zeta-Jones, Luis Guzman, Gwendoline Christie, Christina Ricci and more — is a sleuthing, supernaturally infused mystery charting Wednesday Addams’ years as a student at Nevermore Academy. Snap snap.

Ms. Marvel – Digital Domain

For the Marvel Studios hit series “Ms. Marvel,” Digital Domain VFX Supervisor Aladino Debert and his talented team of artists successfully brought the comic book hero and her superpowers to life. Building on the new origins, artists at Digital Domain designed a unique look for Kamala Khan’s powers featuring a blue-ish purple crystalline manifestation that radiated energy, highlighted by an internal luminescence, created in Houdini.

The team also created several environments including the crowded train station set on the eve of the infamous Partition of India, creating several digital trains, crowds in period-appropriate clothing, and smoke to bring it all to life. Additionally, Aladino and his team were responsible for the fight sequence in the final episode. For this sequence, the team developed the look for Kamran’s damaging powers, Ms. Marvel’s giant, hard-light hands, digital debris, partial digidoubles of Kamran and Ms. Marvel, and more.

The Digital Domain team was also responsible for the iconic closing scene, which appeared in the series’ poster where Ms. Marvel sits on a lamppost and looks out over the city as her hair blows in the wind.

The Sandman – Trailer

There is another world that waits for all of us when we close our eyes and sleep — a place called the Dreaming, where The Sandman, Master of Dreams (Tom Sturridge), gives shape to all of our deepest fears and fantasies. But when Dream is unexpectedly captured and held prisoner for a century, his absence sets off a series of events that will change both the dreaming and waking worlds forever. To restore order, Dream must journey across different worlds and timelines to mend the mistakes he’s made during his vast existence, revisiting old friends and foes, and meeting new entities — both cosmic and human — along the way.

Halo – MPC

MPC helped bring the much-loved Halo video game to life for fans and new audiences across world, via Paramount+’s new TV series adaptation, which was released on 24th March 2022. Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series weaves personal stories with a large dose of action, adventure, and a richly imagined vision of the future.

The Sandman – Trailer

There is another world that waits for all of us when we close our eyes and sleep — a place called the Dreaming, where The Sandman, Master of Dreams (Tom Sturridge), gives shape to all of our deepest fears and fantasies. But when Dream is unexpectedly captured and held prisoner for a century, his absence sets off a series of events that will change both the dreaming and waking worlds forever. To restore order, Dream must journey across different worlds and timelines to mend the mistakes he’s made during his vast existence, revisiting old friends and foes, and meeting new entities — both cosmic and human — along the way.

The Imperfects – Teaser

Three twenty somethings were turned into monsters by evil scientists against their will. Now they’re on the hunt for the mad-man responsible in hopes of reversing the side-effects… but also they’re being chased by a government agency, dealing with college applications, teenage romance, random monster mutations, and all of sorts of coming of age related dramas. Oh, and the government agency has tanks.

The School for Good & Evil – Trailer

Welcome to The School for Good & Evil, where every great fairytale begins… Directed by Paul Feig, The School for Good & Evil follows best friends Sophie and Agatha, who find themselves on opposing sides of a modern fairy tale when they’re swept away into an enchanted school where young heroes and villains are trained to protect the balance of good and evil. Based on the International Best Selling Book Series and starring Charlize Theron, Kerry Washington, Sophia Anne Caruso and Sofia Wylie, The School for Good & Evil comes to Netflix this September.

Andor – Trailer

The “Andor” series will explore a new perspective from the Star Wars galaxy, focusing on Cassian Andor’s journey to discover the difference he can make. The series brings forward the tale of the burgeoning rebellion against the Empire and how people and planets became involved. It’s an era filled with danger, deception and intrigue where Cassian will embark on the path that is destined to turn him into a rebel hero.

Foundation – Season 1 – Spin VFX

Based on the award-winning novels by Issac Asimov, Foundation chronicles a band of exiles on their monumental journey to save humanity and rebuild civilization amid the fall of the Galactic Empire.

VFX Supervisor Jeff Campbell, Supervising Producer Carrie Richardson, and VFX Producer Aakashi Patolawala brought this vision to life through earth-shattering explosions, detailed futuristic aircrafts, and out of the world views.

Foundation won 2 awards from 3 nominations at VES 2022, including the award for “Outstanding Visual Effects in a Photoreal Episode” and “Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project”.

Prehistoric Planet – Trailer

The world’s most extraordinary creatures like you’ve never seen them before in a five-night documentary event. Prehistoric Planet streaming May 23 on Apple TV+
https://apple.co/_Prehistoric

Experience the world of dinosaurs like never before in this epic docuseries from Executive Producer Jon Favreau and the producers of Planet Earth. With David Attenborough and accompanied by a breathtaking score by Hans Zimmer, Prehistoric Planet is a five-night documentary event coming to Apple TV+ May 23rd.

Vikings – Valhalla – MPC

MPC returns to the world of Vikings – delivering epic VFX for the new original series Vikings.

A 600+ strong global team led by VFX Supervisor Ben Mossman and VFX producer Vishal Rustgi delivered over 800 shots, working on a host of environments, water simulations, and bloody battle scenes for Netflix’s new acclaimed drama.

Outer Range

Outer Range centers on Royal Abbott (Josh Brolin), a rancher fighting for his land and family, who discovers an unfathomable mystery at the edge of Wyoming’s wilderness. A thrilling fable with hints of wry humor and supernatural mystery, Outer Range examines how we grapple with the unknown. At the onset of the series, the Abbotts are coping with the disappearance of daughter-in-law Rebecca. They are pushed further to the brink when the Tillersons (the gaudy owners of the neighboring profit-driven ranch) make a play for their land. An untimely death in the community sets off a chain of tension-filled events, and seemingly small-town, soil-bound troubles come to a head with the arrival of a mysterious black void in the Abbotts’ west pasture. Wild revelations unfold as Royal fights to protect his family; through his eyes, we begin to see how time contains secrets held in the past and unsettling mysteries foreshadowed.

Hard Cell – Trailer

Hard Cell is a documentary style comedy set in the fictional female prison, HMP Woldsley. Writer and creator Catherine Tate plays multiple characters from Laura Willis, the Governor who believes creativity leads to rehabilitation, to Big Viv, the psychopath lifer. Set over a 6 week period during which the inmates rehearse a musical directed by ex-Eastender’s star Cheryl Fergison. Rehearsals draw together an oddball collection of women as they find their voices, grow in confidence and strengthen their friendships. Funny yet surprisingly moving, Hard Cell leans into the comical truth of prison life.

Ice Age – Scrat Tales

“Ice Age: Scrat Tales” is a series of six all-new animated shorts starring Scrat, the hapless saber-toothed squirrel of the “Ice Age” adventures, who experiences the ups and downs of fatherhood, as he and the adorable, mischievous Baby Scrat, alternately bond with each other and battle for ownership of the highly treasured Acorn

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