Silo – Season 1 – Trailer
Wednesday – MPC
The Last of Us – Season 1 – Digital Domain
For the season finale, The VFX team wrapped up its work creating a backdrop of CG environments, as Joel and Ellie drive pass a digitally created sign that reads “Welcome to Wyoming,” signifying the end and beginning of their journey.
The Last of Us – Season 1 – RVX
Obi-Wan Kenobi – Hybride Technologies
The Kingdom Exodus – Benuts VFX
Carnival Row – UPP VFX
The Lord of the Rings – The Rings of Power – Rising Sun Pictures
1985 – Benuts VFX
The Lord of the Rings – The Rings of Power – DNEG
Ahsoka – Trailer
STILL – A Michael J. Fox Movie – Trailer
The Wheel of Time – Season 1 – Union VFX
Willow – Image Engine
Lockwood & Co. – Behind The Hauntings
The Lord Of The Rings – The Rings Of Power – Rodeo FX
1899 – Season 1 – DNEG
Andor – Season 1 – Rising Sun Pictures
Andor – Hybride
Hybride produced a total of 714 shots for 67 sequences of the show which premiered on Disney+ on September 21, 2022. The series received critical acclaim, in particular for its writing and the darker, more mature tone compared to previous Star Wars projects.
We’re proud to present a VFX breakdown of our work for the series, we hope you enjoy!
DOOMSDAY – Main Road Post
Shadow and Bone – Season 1 – Ghost VFX
The Lord of the Rings – The Rings of Power – Outpost VFX
The Sandman – S01E01 – Breaking Down The Breakdown – Rodeo FX
The Rings of Power – Season 1 – Cause and FX
She-Hulk – TRIXTER VFX
Sweet Tooth – Zoic Studios
She-Hulk – Attorney at Law – Digital Domain
In addition to utilizing the studios proprietary tools, Masquerade 2.0 and Charlatan, to bring She-Hulk to life, DD also worked on several other visual effects sequences throughout the series while introducing new systems. The team developed a ShapeWear system that allowed the superhero’s attire to accurately adjust to the character model, while subtly and realistically augmenting the muscles to match. This can be seen throughout the series and most notably in the dance scene with Megan the Stallion.
The team also created CG droid K.E.V.I.N., which was meant as an homage to Marvel Studios mastermind, Kevin Feige, and much more! In total, Digital Domain contributed nearly 1,000 VFX shots to She-Hulk: Attorney at Law, including 660 shots of She-Hulk alone
The Serpent Queen – Season 1 – MPC
The Sandman – Season 1 – Rodeo FX
The Book of Boba Fett – Hybride
Hybride produced an impressive total of 1081 VFX shots for the show, representing the studio’s most considerable workload with Disney.
Marvel Studios’ She-Hulk: Attorney at Law – Behind the Scenes
The Orville – New Horizons – FuseFX
Quantum Leap – VFX Legion
Star Trek – Strange New Worlds – Storm Studios
Obi-Wan Kenobi – Hybride
Hybride delivered 440 VFX shots for the show, which drew the biggest premiere for any program set in the Star Wars universe, according to data gathered by Samba TV.
Here’s a behind-the-scenes look at Hybride’s work for the series, we hope you enjoy!
The Last of Us – Trailer
1923 – Trailer
Alma (The Girl in the Mirror) – El Ranchito
Station Eleven – Pixomondo
House of the Dragon – Behind The Scenes
Perry Mason – Season 1 – Pixomondo
Percy Jackson and the Olympians – Teaser Trailer
Disney+ is the streaming home of Disney, Pixar, Marvel, Star Wars, National Geographic, and more. From new releases to your favorite classics and exclusive Originals, there’s something for everyone, all ad free.
Willow – Official Trailer
Andor – Trailer
To learn more about the series, visit http://www.StarWars.com/series/andor
HALO – Season 1 – Rodeo FX
We started the adventure nearly 3 years ago with different tests right before the pandemic hit. As production resumed, our team went back to it and started the meticulous work of adapting a gigantic base of concept art references. While some locations were taken straight from the game, some were altered to better reflect the show’s vision.
From Reach City to Oban (Garbage City), Eridanus to Madrigal Outpost, join us on a deep journey through space as we look at the work done on season one of Halo.
The Sandman – Untold Studios
The Sandman – One of Us
Across 240 Visual Effects shots, the One of Us team, made up of almost 100 artists and led by VFX Supervisor James Brennan-Craddock, take the viewer on a supernatural journey into the realm of the Sandman, where dreams, and especially nightmares, come to life.
The Sandman – One of Us
When the Sandman, aka Dream — the powerful cosmic being who controls all our dreams — is unexpectedly captured and held prisoner for over a century, he must journey across different worlds and timelines to fix the chaos his absence has caused.
Across 240 Visual Effects shots, the One of Us team — made up of almost 100 artists and led by VFX Supervisor James Brennan-Craddock, VFX Producer Catherine Martin and 2D Supervisor Nathan Remy — take the viewer on a supernatural journey into the realm of the Sandman, where dreams, and especially nightmares, come to life.
Resident Evil – MPC
Wednesday Addams – Netflix
Moon Knight – Behind The VFX Scenes
After months of re-imagining, rebuilding and troubleshooting, new concepts around remote production and collaboration have taken shape. We’ve asked several industry leaders to give you their insights and lessons learned, in short and sweet presentations.
Moon Knight – Union Visual Effects
Ms. Marvel – Digital Domain
The team also created several environments including the crowded train station set on the eve of the infamous Partition of India, creating several digital trains, crowds in period-appropriate clothing, and smoke to bring it all to life. Additionally, Aladino and his team were responsible for the fight sequence in the final episode. For this sequence, the team developed the look for Kamran’s damaging powers, Ms. Marvel’s giant, hard-light hands, digital debris, partial digidoubles of Kamran and Ms. Marvel, and more.
The Digital Domain team was also responsible for the iconic closing scene, which appeared in the series’ poster where Ms. Marvel sits on a lamppost and looks out over the city as her hair blows in the wind.
Ms. Marvel – Trixter VFX
Wheel of Time – Cinesite
Ms. Marvel – Rise
Squid Game – They All Fall Down
The Sandman – Trailer
She-Hulk – Attorney at Law – Trailer
Halo – Season 1 – Pixomondo
Loki – Rise
Halo – MPC
The Man Who Fell To Earth – Cinesite
Midnight at the Pera Palace – Cause and FX
Our Flag Means Death – DNEG
Moon Knight – Image Engine VFX
The Lazarus Project – Vine FX
DMZ – Fuse FX
The Offer – Outpost VFX
Hawkeye – Season 1 – Image Engine
Super Pumped – Season 1 – Ingenuity Studios
Wheel of Time – Season 1 – Environment Reel – MPC
Wednesday – Reveal Trailer
Willow – Trailer
The Sandman – Trailer
The Imperfects – Teaser
The School for Good & Evil – Trailer
1899 – Trailer
Money Heist – Korea – Joint Economic Area – Trailer
Andor – Trailer
Moon Knight – Khonshu vs Ammi
The Book of Boba Fett – Season 1 – ILP
The Book of Boba Fett – Season 1 – Stop Motion – Tippett Studio
Halo – Season 1 – Creating The Weapons Of Halo
She-Hulk – Attorney at Law – Season 1 – Trailer
Obi-Wan Kenobi – A Series of Firsts
Foundation – Season 1 – Spin VFX
VFX Supervisor Jeff Campbell, Supervising Producer Carrie Richardson, and VFX Producer Aakashi Patolawala brought this vision to life through earth-shattering explosions, detailed futuristic aircrafts, and out of the world views.
Foundation won 2 awards from 3 nominations at VES 2022, including the award for “Outstanding Visual Effects in a Photoreal Episode” and “Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project”.
Foundation – Season 1 – DNEG
Discover the award-winning visual effects behind AppleTV+’s ‘Foundation’ and learn how our DNEG team helped to bring Isaac Asimov’s legendary vision to the screen.
House of the Dragon – Teaser Trailer
Obi-Wan Kenobi – Trailer
Prehistoric Planet – Trailer
https://apple.co/_Prehistoric
Experience the world of dinosaurs like never before in this epic docuseries from Executive Producer Jon Favreau and the producers of Planet Earth. With David Attenborough and accompanied by a breathtaking score by Hans Zimmer, Prehistoric Planet is a five-night documentary event coming to Apple TV+ May 23rd.
Vikings – Valhalla – MPC
A 600+ strong global team led by VFX Supervisor Ben Mossman and VFX producer Vishal Rustgi delivered over 800 shots, working on a host of environments, water simulations, and bloody battle scenes for Netflix’s new acclaimed drama.
Foundation – Season 1 – Important Looking Pirates
Outer Range
Hard Cell – Trailer
Ice Age – Scrat Tales
The Pentaverate
The Gilded Age – Season 1 – DNEG
From seamless crowd & environment extensions to a train derailment and more — get a closer look at our Episodic team’s work now.