How Netflix’s ‘Pinocchio’ Innovated Stop-Motion Animation
Spider-Man – Across the Spider-Verse – Official Trailer
Guillermo del Toro’s Pinocchio – Behind the Craft
Entergalactic – Official Trailer
Ambitious artist Jabari attempts to balance success and love when he moves into his dream Manhattan apartment and falls for his next-door neighbor.
How “Spider-Verse” forced animation to evolve
When you think of CGI animated films, you likely think of Pixar. The studio practically invented the genre with 1995’s Toy Story — the first CGI animated feature film.
After Toy Story, almost all animation studios wanted to follow in Pixar’s successful footsteps, straight down to their style. Many studios sought out “The Pixar Look”: extremely high quality, physically based, and in some cases almost photorealistic.
It’s an appealing approach that remains popular at the box office — but animated movies started looking kind of homogeneous. And while studios and independent artists tested out more stylized approaches in short films, no studio would commit to a feature-length animated movie that looked so different.
That is, until Sony Pictures/Imageworks took on Spider-Man: Into the Spider-Verse. Instead of chasing the look everyone was after, the team wanted to create something visually new. They did it with “non-photorealistic rendering.”
And since Spider-Verse, non-photorealism has taken off, with almost every studio set to incorporate it in the next five years. Check out our video to learn more about how non-photorealism works.
Minions – The Rise of Gru – Trailer
LOVE DEATH + ROBOTS – VOLUME 3 – Trailer
Emmy-winning animated anthology Love, Death + Robots returns with a third volume executive produced by Tim Miller (Deadpool, Terminator: Dark Fate) and David Fincher (MINDHUNTER, Mank). Terror, imagination and beauty combine in nine new episodes which stretch from uncovering an ancient evil to a comedic apocalypse, telling startling short stories of fantasy, horror and science-fiction with trademark wit and visual invention.
How Disney’s Animated Hair Became So Realistic, From ‘Tangled’ To ‘Encanto’ – Insider
We spoke with four members of the “Encanto” team to find out how they did it: Character Look Development Supervisor Michelle Lee Robinson, Consultant for Afro Colombian Representation Edna Liliana Valencia Murillo, Associate Technical Supervisor Nadim Sinno, and Character Look Artist Jose “Weecho” Velasquez.
They help trace the evolution of Disney’s 3D-animated hair over the past ten years, from Rapunzel’s 70-foot long mane in “Tangled” and Elsa and Anna’s braids in “Frozen” to the curly-wavy hair in “Moana” and diversity of textures in “Encanto.”
The Making of Richard Linklater’s Apollo 10 1/2 – A Space Age Childhood
Ice Age – Scrat Tales
Minions – The Rise of Gru
The Sea Beast
In an era when terrifying beasts roamed the seas, monster hunters were celebrated heroes – and none were more beloved than the great Jacob Holland. But when young Maisie Brumble stows away on his fabled ship, he’s saddled with an unexpected ally. Together they embark on an epic journey into uncharted waters and make history.
Puss in the Boots – The Last Wish – Trailer
Rango – ILM
Sonic the Hedgehog 2 – Big Game Spot
Lightyear – Trailer
Robin Robin – Behind the Scenes
How Netflix’s ‘Klaus’ Made 2D Animation Look 3D
Minions – The Rise of Gru – Official Teaser Trailer
When the Vicious 6 oust their leader, legendary fighter Wild Knuckles (Oscar winner Alan Arkin), Gru interviews to become their newest member. It doesn’t go well (to say the least), and only gets worse after Gru outsmarts them and suddenly finds himself the mortal enemy of the apex of evil. On the run, Gru will turn to an unlikely source for guidance, Wild Knuckles himself, and discover that even bad guys need a little help from their friends.