Spider-Man – Across the Spider-Verse – Official Trailer

Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga, Spider-Man: Across the Spider-Verse. After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must redefine what it means to be a hero so he can save the people he loves most.

Oppenheimer – Official Trailer

Written and directed by Christopher Nolan, Oppenheimer is an IMAX®-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

The film stars Cillian Murphy as J. Robert Oppenheimer and Emily Blunt as his wife, biologist and botanist Katherine “Kitty” Oppenheimer. Oscar® winner Matt Damon portrays General Leslie Groves Jr., director of the Manhattan Project, and Robert Downey, Jr. plays Lewis Strauss, a founding commissioner of the U.S. Atomic Energy Commission.

Umbrella Academy – Season 3 – Spin VFX

After earning an Emmy nomination for ‘Special Visual Effects’ on season 1, SPINVFX returned to The Umbrella Academy for season 3, with Carrie Richardson and Jeff Campbell reprising their roles as Supervising VFX Producer and Visual Effects Supervisor, respectively. In the 500 shots, we did for the show, everyone from artists, producers, and scanning crew, gave their talents, time, and commitment to flawlessly bring complex environments, creatures, and superpowers to life.

Doctor Strange in the Multiverse of Madness – Spin VFX

The extremely talented team at SPIN under the guidance of VFX Supervisor Wesley Sewell, entered the madness of the multiverses and brought to life some breathtaking environments and shots. The complexity of the stellar vortex required a visual balancing act. Story-wise, we were challenged with bringing all of these elements to a crescendo to underline the imminent danger our characters were in. We had highly detailed foreground asset destruction of the wall and pillars, choreographed brick destruction, black strands of vortex energy, and multiple layers of debris; all of which had to blend into the motion of our hero vortex setup, which in itself was made up of multiple high-resolution volume sims. Getting all of these elements to play together in a cohesive way without being visually overwhelming or introducing continuity issues required extensive planning and flexible effects setups that could be art-directed with quick turnaround times.

The second challenge was creating the “Multiverse Map” simulations. Doctor Strange summons this map from an ancient book which creates a sprawling three-dimensional visage around him. Each “orb” represents a time/place/universe that Doctor Strange can examine. The orb look was realized with multiple levels of procedural volumes, simulated volumes and particles, and internal lights to cast volumetric rays. ID passes were also critical to allow our compositing team to tune the renders per orb and per component to achieve the desired look. The “orbs” that we created were so successful that Marvel shared them with all the other VFX vendors for a beautiful continuity throughout the film.

She-Hulk – Attorney at Law – Digital Domain

To realize 43 minutes of screen time for Marvel Studios’ latest superhero, She-Hulk, Digital Domain VFX Supervisor Jan Philip Cramer and his outstanding team of artists sought inspiration in the technology used to create everyone’s favorite villain, Thanos. Building on that same technology, the Digital Domain team successfully transformed the 5’4” Tatiana Maslany into a 6’7” green giant, without sacrificing the nuance of the Emmy-winner’s performance.

In addition to utilizing the studios proprietary tools, Masquerade 2.0 and Charlatan, to bring She-Hulk to life, DD also worked on several other visual effects sequences throughout the series while introducing new systems. The team developed a ShapeWear system that allowed the superhero’s attire to accurately adjust to the character model, while subtly and realistically augmenting the muscles to match. This can be seen throughout the series and most notably in the dance scene with Megan the Stallion.

The team also created CG droid K.E.V.I.N., which was meant as an homage to Marvel Studios mastermind, Kevin Feige, and much more! In total, Digital Domain contributed nearly 1,000 VFX shots to She-Hulk: Attorney at Law, including 660 shots of She-Hulk alone

Transformers – Rise of the Beasts – Trailer

Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure and introduce the Maximals, Predacons, and Terrorcons to the existing battle on earth between Autobots and Decepticons. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 9, 2023.

FuseFX – Showreel (December 2022)

We are thrilled to share our new FuseFX Showreel with you! The visual effects work includes some of the most exciting and award-winning series this past year, like She-Hulk, Ms. Marvel, The Orville, Monster: The Jeffrey Dahmer Story, Snowpiercer, The Terminal List, Wendell & Wild, Raised by Wolves, DMZ, Raising Dion and more!

Visit http://www.FuseFX.com to learn more about our work, services, and career opportunities.

The Orville – Season 3 – FuseFX

THIS IS UNREAL! The FuseFX team utilized Unreal Engine for episode 308 of ‘The Orville.’ The sequences are beautiful and allowed for the team to be more nimble, move together as one, save production time and produce stellar results. We’re just scratching the surface of our Unreal capabilities for our clients. #FuseFX #UnrealEngine #TheOrville #VFX #EpicGames http://www.fusefx.com

Obi-Wan Kenobi – Hybride

In the Obi-Wan Kenobi limited series, which premiered on Disney+ May 27, 2022, storytellers explore a previously unseen era in the character’s life – nearly 10 years after the fall of the Jedi with Order 66 but still almost a decade from meeting his fate aboard the Death Star.

Hybride delivered 440 VFX shots for the show, which drew the biggest premiere for any program set in the Star Wars universe, according to data gathered by Samba TV.

Here’s a behind-the-scenes look at Hybride’s work for the series, we hope you enjoy!

BABYLON – Trailer

From Damien Chazelle, Babylon is an original epic set in 1920s Los Angeles led by Brad Pitt, Margot Robbie and Diego Calva, with an ensemble cast including Jovan Adepo, Li Jun Li and Jean Smart. A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.

VESPER – Trailer

After the collapse of Earth’s ecosystem, Vesper, a 13-year-old girl struggling to survive with her paralyzed father, meets a woman with a secret who will force her to use her wits, strengths and bio-hacking abilities to fight for the possibility of having a future.

White Noise – Trailer

At once hilarious and horrifying, lyrical and absurd, ordinary and apocalyptic, White Noise dramatizes a contemporary American family’s attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world. Based on the book by Don DeLillo, written for the screen and directed by Noah Baumbach, produced by Noah Baumbach (p.g.a) and David Heyman (p.g.a.). Produced by Uri Singer.


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