Waterman – Trailer
How ‘No Time To Die’ Pulled Off James Bond’s Opening Chase – Insider
How Realistic Animatronics Are Made For Movies & TV – Insider
How ‘Dune’ Composer Hans Zimmer Created the Oscar-Winning Score – Vanity Fair
Memory – Trailer
The Bubble – Trailer
Zero – Redchillies VFX
Why Dune’s Editing Feels Different
Spider-Man – No Way Home – Digital Domain
In total, Digital Domain contributed over 520 shots, along with over 600 unique assets, including vehicles, full environments, props and more. Our team of artists also created 14 hero character builds and 19 digi-doubles for the film.
The Adam Project – Netflix
Men
Top Gun – Maverick
The Sea Beast
In an era when terrifying beasts roamed the seas, monster hunters were celebrated heroes – and none were more beloved than the great Jacob Holland. But when young Maisie Brumble stows away on his fabled ship, he’s saddled with an unexpected ally. Together they embark on an epic journey into uncharted waters and make history.
Dune – Hunter Seeker – Wylie Co.
Death On the Nile – DNEG
Locke & Key – Season 2 – El Ranchito
No Time to Die – James Bond’s Opening Scene
Waterman – Trailer
Spider-Man – No Way Home – Vanity Fair
Roohi – Redchillies VFX
The Adam Project – Netflix
Outer Range – Trailer
Puss in the Boots – The Last Wish – Trailer
Tokyo Vice – Trailer
The Matrix Resurrections – Skyscraper Escape Trinity Files – Warner Bros.
Advertising VFX Reel – Rodeo FX
Halo – The Series – Trailer
Lizard – Scenesis Pictures
Totems – MPC
Wheel of Time – Season 1 – Environment – MPC
Porsche – Godspeed
GODSPEED is my personal project that i created completely from scratch. It was a great time working for this as there was lot of trial and errors, lot of learning, problem solving etc that really took me to next level and it was a great experience for me. It took me couple of months to finally finish it since i was working in this project only in my free time. I chose Porsche because it’s one of my favorite car and i love the design very much.
softwares used to create this include Maya for modeling and animation, substance painter for texturing, Speedtree for creating trees and bushes etc, Houdini for assembling the scene and for FX, rendering was done in maya with Arnold, Nuke for compositing and Davinci for final editing and color grading.
It was a big task for me.
Hope you all like it
Fantastic Beasts – The Secrets of Dumbledore – Dumbledore’s First Army
Gnomon 2022 – Student Reel
Sonic the Hedgehog 2 – Final Trailer
The world’s favorite blue hedgehog is back for a next-level adventure in SONIC THE HEDGEHOG 2. After settling in Green Hills, Sonic is eager to prove he has what it takes to be a true hero. His test comes when Dr. Robotnik returns, this time with a new partner, Knuckles, in search for an emerald that has the power to destroy civilizations. Sonic teams up with his own sidekick, Tails, and together they embark on a globe-trotting journey to find the emerald before it falls into the wrong hands.
Ms. Marvel – Trailer
Spider-Man – No Way Home – Digital Domain
Spider-Man: No Way Home has been nominated for a 2022 Academy Award in the special visual effects category.
Foundation – Season 1 – Rodeo FX
Bullet Train – Trailer
The Boys – Season 3 – Trailer
Does Sensor Size Matter
Fantastic Beasts – The Secrets of Dumbledore – Trailer
Dual Roles
Moon Knight – Featurette
DMZ – Trailer
The Bubble – Trailer
Against The Ice – MPC
See – Season 2 – Chicken Bone FX
The Power of the Dog – Alt VFX
Hawkeye – Season 1 – Weta Digital
See – Season 2 – RVX
A Discovery of Witches – Season 3 – Outpost VFX
Obi-Wan Kenobi – Trailer
DC League of Super-Pets – Trailer
Rango – ILM
Dune – Beyond Sand & Spice – DNEG
In this DNEG Deep Dive, the Dune dream team shared never-before-shared insights about how visual effects helped create Villeneuve’s immersive cinematic experience. Moderated by well-known VFX and animation journalist Ian Failes, our panel featured Overall VFX Supervisor Paul Lambert, DNEG VFX Executive Producer Janet Yale, DNEG VFX Supervisors Tristan Myles and Brian Connor, and DNEG Animation Director Robyn Luckham.